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A(z) „videó” címke bejegyzései

Helpful for debugging, the 3D view stacks elements as they are nested in the DOM and lets you see elements that are hidden or off the page. You can zoom in and out, rotate and pan the view to see the page from any angle that is helpful to you.

Introducing Firefox 3D View for Developers – YouTube

Állítólag segít jobban megérteni az egyes oldalak felépítését. Így első kipróbálás után inkább csak eye candynek tűnik ez a dolog, de mindenképp jópofa.

A sidenote 3D-ben:

Zene: Lee Rosevere – The Last Question (Album: Asimov (music inspired by the writings of), licenc: Attribution-NonCommercial-ShareAlike.)

Vimeon is elérhető.

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A coming of age story taking place in the 1960’s, the story tells about two young men and their passion for jazz music.

Sakamichi no Apollon – Wikipedia

Shinichiro Watanabe, a Cowboy Bebop és a Samurai Champloo rendezőjének új sorozata. A fantasztikus zene garantált!

Máris az „év animéje”-ként emlegetik, pedig csak áprilisban kezdik majd vetíteni.

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KIDAM film production

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MIT Laboratory for Automation, Robotics, and Society
Directed by David Mindell

Visualization Design: Yanni Loukissas
Research Assistant: Francisco Alonso

The Apollo 11 visualization draws together social and technical data from the 1969 moon landing in a dynamic 2D graphic. The horizontal axis is an interactive timeline. The vertical axis is divided into several sections, each corresponding to a data source. At the top, commentators are present in narratives from Digital Apollo and NASA technical debriefings. Just below are the members of ground control. The middle section is a log-scale graph stretching from Earth (~10E9 ft. away) to the Moon. Utterances from the landing CAPCOM, Duke, the command module pilot, Collins, the mission commander, Armstrong, and the lunar module pilot, Aldrin, are plotted on this graph. The graph is partially overlaid on a composite image of the lunar surface. Data from the Apollo computer systems, the DSKY (display/keyboard interface to the Apollo computer) and the AGC (Abort Guidance Computer) occupies the bottom of the visualization. Each circle on the graph represents an utterance by one member of the team or ground control, with the size of the circle proportional to the length of the utterance. Lines connecting subsequent utterances represent inquiries and responses between team members. Specific events are labeled, such as computer program changes and program alarms. During a real-time playback, the white line moves across the horizontal axis as audio plays, and the crew’s specific utterances are spelled out to the right. In sync with the human dialog, the AGC and DSKY display values and modes. In these dynamics, one can trace the trading of workload and authority during the critical final phases of landing, and how that workload was offloaded from the lunar module to Houston in response to the program alarms.

Apollo 11 Lunar Landing Visualization, 1969 (2011)

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Az Ani Kuri tévéműsor mellé készült 15 db. egyperces animét 2007-2008-ban láthatták a japán nézők az NHK csatornán, mindegyiket más-más rendezte. Többek közt Makoto Shinkai, Michael Arias, Mamoru Oshii és Satoshi Kon.

Keleti Szél

Playlistbe rendeztem őket, tessék:

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When lava pours out near the sea surface, tremendous volcanic explosions sometimes occur.

When lava flows underwater it behaves differently.

Boards of Canada, szeretem.

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Hajnalban kaptam ezt a mailt:

Itt a vilag legjobb jateka. Ennyi. Kesz. Abba lehet fejezni a jatekfejlesztest ezutan.

A jatek cime Desert Bus. Jol jegyezzetek meg ezt a nevet.

Egy buszt kell elvezetni Arizonabol Nevadaba egy nyilegyenes uton valos idoben (nyolc oraig tart az ut) aztan VISSZA. A busz enyhen jobbra tart, ezert vegig ott kell ulni, es kanyarodni vele, hogy ne menjen le az utrol. Ez utobbi esetben az arokba szalad, es visszavontatjak Arizonaba. Termeszetesen ezt is valos idoben.

Itt a link, jatsszatok!

http://desertbus-game.org/

Itt a leiras, addig is.

http://desertbus.org/the-rules-of-desert-bus/

Mondom, lehet, hogy ez csak nekem vicces, de en majdnem megfulladtam a rohogestol. Baldur’s Gate. Lofasz.

48 részes speed run :)

Review:

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Note: Still couldn’t find any appropriate, reliable source describing the technical setting for this footage. The same applies to any specific information about the responsible person in charge of the photographs. Please let me know, if you have any information, links or the like. Time lapse sequences of photographs taken with a special low-light 4K-camera by the crew of expedition 28 & 29 onboard the International Space Station from August to October, 2011. All credit goes to them.

HD, refurbished, smoothed, retimed, denoised, deflickered, cut, etc.

Music: Jan Jelinek | Do Dekor, faitiche back2001
w+p by Jan Jelinek, published by Betke Edition
janjelinek.com | faitiche.de

Editing: Michael König | koenigm.com

Image Courtesy of the Image Science & Analysis Laboratory,
NASA Johnson Space Center, The Gateway to Astronaut Photography of Earth
eol.jsc.nasa.gov

Shooting locations in order of appearance:

  1. Aurora Borealis Pass over the United States at Night
  2. Aurora Borealis and eastern United States at Night
  3. Aurora Australis from Madagascar to southwest of Australia
  4. Aurora Australis south of Australia
  5. Northwest coast of United States to Central South America at Night
  6. Aurora Australis from the Southern to the Northern Pacific Ocean
  7. Halfway around the World
  8. Night Pass over Central Africa and the Middle East
  9. Evening Pass over the Sahara Desert and the Middle East
  10. Pass over Canada and Central United States at Night
  11. Pass over Southern California to Hudson Bay
  12. Islands in the Philippine Sea at Night
  13. Pass over Eastern Asia to Philippine Sea and Guam
  14. Views of the Mideast at Night
  15. Night Pass over Mediterranean Sea
  16. Aurora Borealis and the United States at Night
  17. Aurora Australis over Indian Ocean
  18. Eastern Europe to Southeastern Asia at Night

HD verzió a vimeo-n.

Earth | Time Lapse View from Space, Fly Over | NASA, ISS

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Director & Editor: Douglas Wilson
Director of Photography: Brandon Goodwin
Audio & Sound Design: Jess Heugel

Music: Cornbelt Chorus “Drunk Hymn & Interlude”

Linotype: The Film

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